Nikon 24-70mm f/2.8 Review

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This is an in-depth, long overdue review of the Nikon 24-70mm f/2.8G ED lens that was released back in August of 2007 together with the 14-24mm f/2.8G ED lens. I have owned the Nikon 24-70mm ever since it came out and I have written a lot about it in my articles, but never got the chance to sit down and provide some detailed feedback about what I like or don’t like about this lens. After I got my hands on other FX wide-angle lenses such as Nikon 16-35mm f/4.0 VR, Nikon 24mm f/1.4G and Nikon 14-24mm f/2.8G, I knew it was time to put them all up to a real test and compare each one with the 24-70mm.

Nikon 24-70mm f/2.8G ED

Nikon 24-70mm f/2.8G ED

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Nikon 14-24mm f/2.8 Review

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This is an in-depth review of the Nikon 14-24mm f/2.8G ED lens that was released back in August of 2007 together with the Nikon 24-70mm f/2.8G ED lens. I have been planning to write a review of this lens for quite some time now and I wanted to make the review as thorough as possible, comparing it to other Nikon FX wide angle lenses that are out in the market today. My plan finally came to reality, when I got a hold of Nikon 14-24mm f/2.8G, Nikon 16-35mm f/4.0 VR, Nikon 17-35mm f/2.8D, Nikon 24-70mm f/2.8G and finally Nikon 24mm f/1.4G lenses all at the same time!

Nikon 14-24mm f/2.8G ED

Nikon 14-24mm f/2.8G ED

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Puerto Rico – Part 1

It all started with my flight from Denver to Atlanta, where only about 10 passengers in total boarded the plane. It was an early flight, but a very pleasant one, since I got to sit where I wanted and really enjoyed the flight in a very quiet environment.

Empty Flight

After arriving to the busiest airport in the world, I thought things would change, but they didn’t – only quarter of the plane to San Juan was occupied, which was once again very nice.

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Pics from Puerto Rico

Despite bad weather and very limited amount of time, I somehow managed to capture over 1000 images in Puerto Rico. It took me a while to go over everything and pick the images I like the most, so I now need to extract a few images and post them here :)

I took three lenses with me to Puerto Rico:
1) Nikon 24mm f/1.4G
2) Nikon 14-24mm f/2.8G
3) Nikon 70-200mm f/2.8G VR II + 1.7x TC

I tried to use the 24mm f/1.4 the most in different lighting conditions and apertures. Despite what others are reporting about this lens, specifically its focusing issues, I have not seen a single image where the focus was incorrect. Whether I shot something up close or a distant object, all images came out tack sharp from center to corner, as reported in my Nikon 24mm f/1.4 Review. Not sure if there is a batch of bad 24mm lenses out there, but mine is working flawlessly and I did not notice any problems at all.

Here is the first picture I took at the El Conquistador resort in Puerto Rico:

El Conquistador Pools

And the last image of the resort on the day of departure:

El Conquistador

The above image is a panoramic image stitched with 4 vertical images. I did not have to correct any distortion issues before stitching the panorama and Photoshop did a pretty good job in aligning everything together. More to come!

Nikon 24mm f/1.4 Review

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This is an in-depth review of the new, most anticipated professional Nikon 24mm f/1.4G ED lens that was announced earlier this year together with the Nikon 16-35mm f/4.0G VR lens. The lens was kindly provided by B&H – the largest photo reseller in the world that I use more than any other to buy my photography gear.

Nikon 24mm f/1.4G

Nikon 24mm f/1.4G

The Nikon 24mm f/1.4G lens is a professional-grade lens for enthusiasts and professionals that need the highest quality optics of a fixed wide-angle lens with a large aperture of f/1.4 for low-light situations and shallow depth of field to isolate subjects from the background. The lens incorporates the latest optical technology destined for both FX and DX sensors (equivalent of 36mm on DX), yielding amazing clarity and contrast in most challenging lighting conditions. The Nikon 24mm f/1.4G follows the footsteps of the legendary Nikon 28mm f/1.4D lens, which was known for its exceptional quality and sharp optics, even at large apertures. The new Nikon 24mm f/1.4 is no exception – it performs almost flawlessly at all apertures, most notably at f/1.4 with maximum sharpness from center to corner, as seen in the examples of this review. Nikon has incorporated the latest technology and optical formulas to this lens, including AF-S silent-wave focus motor and Nano crystal coating. The lens is also sealed against dust and tough weather conditions. Just like most Nikon professional lenses, the lens has a 77mm filter thread, which is great news for landscape and architectural photographers.

Where the Nikon 24mm f/1.4 shines, is its subject isolation capability with exceptionally good-looking bokeh at a wide perspective of 24mm, which is an extremely useful focal length for both FX and DX sensors. The maximum aperture of f/1.4 makes this lens an exceptionally good portrait lens for both images and video, allowing to hand-hold it in low-light situations.

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Four New Reviews Coming Up

I have been spending all of my available time to test the new Nikon 24mm f/1.4G lens (which is stellar in every way), along with other Nikon ultra wide lenses and have been comparing them all at different focal lengths. The plan is to write an article comparing those lenses head to head at the same focal length, ISO, aperture and shutter speed to see how they stand against each other. Here is the full list of lenses that I am currently testing:

  1. Nikon 24mm f/1.4G (full review is coming up first)
  2. Nikon 14-24mm f/2.8G
  3. Nikon 24-70mm f/2.8G
  4. Nikon 16-35mm f/4G VR
  5. Nikon 17-35mm f/2.8D

This is going to be one heck of a comparison! My first priority right now is to finish the Nikon 24mm f/1.4G review, which I have been putting off because of: a) lack of time and b) horrible weather that we have been getting lately (it has been snowing and has been extremely windy during the last two weeks). This weekend does not look any better, so I am just going to use what I have so far.

Stay tuned!

More Image Samples from Nikon 16-35mm VR

It is taking me a long time to sort through the images and pick the ones I like the most, so I decided to post three quick samples from my last trip to Utah where I shot with the Nikon 16-35mm f/4.0G VR lens. I haven’t had a chance to do any post-processing on these images, so they are exported from Lightroom with the default settings (standard Lightroom sharpening is applied).

If anybody is doubting the sharpness of the Nikon 16-35mm VR, take a look at the full versions of the below images and see for yourself. The images are razor-sharp from center to corner and the very slight amount of softness at 16mm does not bother me at all. Either way, it is way better than the Nikon 17-35mm f/2.8D and the Nikon 24-70mm f/2.8G.

All images are shot on FX (Nikon D700) and the corners will be even better on a DX body.

Nikon 16-35mm VR Sample 1 Resized

Window Arch Sunrise - Nikon 16-35mm VR @ 35mm, 1/200, f/10

Click here to download the full version of the file in JPEG format (4.5 Mb).

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Back from Utah

I’m finally back from Utah after a 7 hour drive from Moab. To get home before midnight, Sergey and I left a little early and missed the last sunset. The weather sucked during the last two days (we had 3.5 days total), so we only had a day and a half of good shooting. Nevertheless, I managed to snap 25 gigs of images, but I already know that most photos are going to be deleted. This was the first time when I tried shooting HDR panoramas in three rows and processing those images is going to be a very long and painful process. We only had time to check out some good spots at Arches and Canyonlands, although we did visit a couple of good spots for photography in the area.

Looking down

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Nikon 16-35mm f/4.0G VR vs Canon 17-40mm f/4.0L USM

I will be honest – doing a comparison between the Nikon 16-35mm f/4.0G VR and the Canon 17-40mm f/4.0L USM was somewhat painful. First of all, the DSLR bodies that I was using did not have the same megapixel count (Nikon D300 is 12 Mp and Canon 50D is 15 Mp) and crop factor (Nikon D300 is 1.5x and Canon 50D is 1.6x). Achieving the same field of view and having similarly sized 100% crops for accurate testing and comparison was extremely difficult and I had to move my setup back and forth to get to a similar size. Even then, I was not able to get the results I wanted in the corners, so I will be focusing more on center performance rather than corners.

The image on the left is Nikon 16-35mm and the image on the right is Canon 17-35mm. Both were shot in RAW with no post-processing in Lightroom besides adjusting white balance.

Let’s take a look at the far corners @ 17mm f/4.0:

Nikon 16-35mm @ 17mm Far Left Corner Canon 17-40mm @ 17mm f/4.0 Far Left Corner

The Nikon 16-35mm clearly has both sharper image and better contrast in the corners.

Let’s now take a look at the center @ 17mm f/4.0 where I was able to match the view:

Nikon 16-35mm @ 17mm f/4.0 Center Canon 17-40mm @ 17mm f/4.0 Center

As can be clearly seen, Nikon 16-35mm f/4.0 VR is significantly sharper than Canon 17-40mm f/4.0. When compared at f/8.0 both lenses are very similar in terms of sharpness and contrast. Now let’s see the performance @ 24mm f/4.0:

Nikon 16-35mm @ 24mm f/4.0 Center Canon 17-40mm @ 24mm f/4.0 Center

Again, Nikon 16-35mm is the clear winner, delivering more sharpness wide open.

The final test is both lenses at 35mm:

Nikon 16-35mm @ 35mm f/4.0 Center Canon 17-40mm @ 35mm f/4.0 Center

As expected, there is no change – the Nikon 16-35mm f/4.0 is sharper than Canon 17-40mm f/4.0 @ f/4.0 across all focal lengths.

I did not bother uploading the images at other apertures, because both lenses perform very similarly at f/5.6 and higher and at f/8.0 there is practically no difference between them. The above test is to show that the Nikon 16-35mm is sharper than its counterpart Canon 17-40mm when shot wide open both in the center and in the corners.

The above has been posted to the Nikon 16-35mm f/4.0 Review on the fifth page.

Nikon 16-35mm f/4 VR Review

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This is an in-depth review of the new professional Nikon AF-S 16-35mm f/4.0G ED VR lens that was released earlier this year. The lens was kindly provided by B&H – the largest photo reseller in the world that I use more than any other to buy my photography gear.

The Nikon 16-35mm VR lens is a professional-grade constant aperture lens for enthusiasts and professional photographers that need an ultra wide-angle zoom lens with the latest generation of VR II (vibration reduction) technology for both FX and DX cameras (equivalent of 24-52mm on DX). Being the world’s first ultra wide-angle zoom lens with vibration reduction, the lens is ultra-fast with AF-S silent-wave focus motor, has Nano crystal coating against flare and is sealed against tough weather conditions. Unlike the Nikon 14-24mm f/2.8G lens, the new 16-35mm f/4.0 VR has a 77mm filter thread, which is great news for landscape photographers.

Nikon 16-35mm f4.0G ED VR

AF-S Nikkor 16-35mm f4.0G ED VR

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