I’ve always found photographing engagement sessions and weddings to be rather stressful for both the couple (and the guests, too) as well as myself. But stress, at the same time, has proven to be the force that makes me want to do as well as I can. I get over it, eventually, because I have an obligation to do my best. My couples, on the other hand, sometimes have a harder time getting over their nervousness just as fast. The trick is in keeping it fun for them until they’re as comfortable with you around as if they were alone.
Tips on Photographing Wedding Formals and Group Portraits
Photographing formals during weddings can be very tiresome and stressful to all parties involved. It’s the part of the day both the guests and the photographer often want to get past as quickly as possible. Friends and family want to enjoy the cocktail with others. Bride and Groom are tired from standing far too long and a looking forward to get some rest before the reception. Could anyone blame them?
On some occasions, I have been even asked to skip the formals in hopes of avoiding guests from stress and chaos, which sometimes can happen during the formal session. While not everyone might enjoy this experience, it is also understood that taking formal pictures is an essential part of wedding photography. This is how the memories are preserved. This is a precious way for a bride to remember her family for many, many years to come; in her happy state. So, the challenge remains for the photographer to make sure that the time allocated for the formal portraits is spent efficiently and as quickly as possible. In the eyes of the wedding guests, a photographer is a miracle worker, control freak and a very sweet person who can turn a very difficult session into something magical. So, my dear magician friends, let’s get on to it. You are the expert and what do you do next?
There are steps you can take to achieve your goal and have everyone happy on your watch. Your first step would be to make sure that the watch doesn’t go over 30 minutes for any formal session.
1. Talk to the bride and groom before the wedding. Do your research and get to know your subjects earlier. Let’s admit that there is no way for you to get to know so many people at once. So, start early and talk it up with the bride and groom during the consultation session. Find out what their expectations are towards the formal portraits and how many people might participate in those. Sometimes it is easier to get a list of the family members who ought to be photographed alongside the bride and the groom. Ask the bride to inform her relatives that there will be a point during the wedding (if the exact timing is known, that would be more helpful) when they will be asked to get photographed. Keeping everyone informed will help you gather people around efficiently. Always make sure to ask the couple if there is anything you need to know about their families and have a strategy worked out to take care of any potential problems.
Usually, close family make it obvious for you to notice them. Walk around them, be a regular guest and interact with them before the formals, so that you are “familiar” to them. Let the guests talk and meet and have fun while you steal a few of them to get photographed. This way, everyone can be engaged all the time by either you or by other guests. It will only help you get those sincere emotions naturally, with much ease.
Also, keep in mind that you do not have to fit every single guest into a formal session. Friends and distant family members can be photographed all along the wedding reception and cocktail hour.
Don’t Get Stuck with Your Gear – Pursue Your Passion
A lot has changed since digital came around in 1999. Film has always been about quality – all kinds of it, too. It was about resolving power – we have Fujichrome Velvia for that now; it was about color accuracy, which also suits the former as well as, say, Fujicolor Superia Reala; or, for those who want sharp and vivid, there‘s always the beautiful Kodak Ektar. Now, however, there’s one kind of film for all those purposes. Just as film was finally providing the quality, the age of digital sensors came. And, some think, wiped film‘s quality ambitions off the table as if it were dust. We now have one film that can do everything – low light, color accuracy or vividness, sharpness and endless manipulation possibilities. One film that fits all.
Shooting a wedding with an entry-level DSLR
I recently received an email from one of our readers about photographing weddings with an entry-level DSLR (Nikon D3000) and an 18-55mm f/3.5-5.6 kit lens. The request was to help out in understanding how to photograph weddings, figuring out the right camera settings and proper posing. Without much thinking, I responded to the query by saying that he/she should not photograph the wedding and perhaps leave the task to someone who knows what equipment to use and more importantly, how to use it. I never got a follow up email after that, but I have been thinking about the email ever since. I then remembered watching this video a while ago:
It is a funny video and even if it might be totally made up, it brings up a heated debate over the type of equipment wedding photographers should and should not use. I know that I am opening up a can of worms here, but here is my personal take on the subject – please let me know what you think.
Yes, most modern DSLR cameras are great and even the cheapest entry-level DSLRs today are equipped with a better image sensor than the most expensive cameras from a few years ago. As I have said it in some of my posts like Nikon vs Canon vs Sony, a camera is just a tool. However, there are certain factors that have a direct impact on images, such as lenses and the skill of the photographer. So, the camera is only a part of the equation here. Can cheap cameras create great photographs? Absolutely. Just like expensive cameras that can produce bad photographs.
So why did I tell the reader not to photograph the wedding with the D3000 and a kit lens? Because he/she had no idea how to use it.
When I get asked what to recommend for wedding photography, my response is always to get the best lenses first, and then worry about the camera. Lenses are far more important than cameras. A cheap zoom lens cannot do what a 50mm prime can. If you want to create beautiful images for your clients that you can showcase for your business, get the best glass you can afford. And as for the camera, if you can afford a full-frame camera, go for something like Nikon D700, Canon 5D Mark II or Sony A900. If budget is an issue, get a cropped-sensor camera like Nikon D7000. This is assuming that you already have a camera and know what you are doing. But don’t go out and shoot weddings with an entry-level DSLR if you are serious about your business. After-all, your gear is also the face of your company and business. Unless you are doing this for fun or just helping out a friend.
How Much is Too Much?
When it comes to our wedding business, Lola put me in charge of “QA” (Quality Assurance) before images are delivered to our clients. After she is done with all post-processing work, we sit down together and review all images. She is naturally good at working on images and her creative and artistic side really comes into play when she photographs and then edits images. I have a very different approach to photography and I often pay lots of attention to such things as image sharpness, detail, framing and angles. It is surprising to see how well our different perspectives merge into a productive environment – while we sometimes do disagree, we both understand that our ultimate goal is to provide the best results to our clients.
On average, Lola and I come back with approximately 1,000-1,500 images per wedding, all shot in 14-bit NEF (RAW) format. Once we sort everything out and pick our favorites, we leave approximately 500-600 images that will be delivered to our clients, with only about 1/10th that are retouched in Photoshop. I was once talking to a photographer based out of Florida, who told me that he only takes between 100-250 images per wedding. When I told him how many images Lola and I take, he laughed, arguing that most images are probably duplicates of each other and that we should learn how to take fewer, but higher quality images. Being in business for over 30 years as a successful full-time pro, he definitely knew what he was talking about. But I also realized that his habit of taking fewer pictures definitely has to do with film days, where more photos meant more photo lab work. With digital SLRs that have a shutter lifespan of at least 150 thousand clicks, we no longer need to worry about the cost or working with chemicals in a lab. So, what is better – take fewer, but higher quality images right on the set, or take as many pictures as possible at different angles, perspectives and settings? As far as I’m concerned, I am somewhere in between. I think that taking very few pictures is risky, as you might think you got everything right on camera, but you might have missed some details – eyes closed, focus not 100% accurate, etc. The last thing you want is a frustrated customer that asks for another picture you do not have. On the other hand, walking with a DSLR and shooting non-stop is also counter-productive, since then you have to deal with too many images and the process of choosing the best ones and working on them later might take hours of precious post-processing time. Wedding photography is a tough business to be in mainly because of a photographer’s time, especially if complex Photoshop retouching is involved. Details can take away too much time and the question that I have been asking myself lately is “how much is too much”, when we work on images.
Take a look at the below image, as it came out of the camera:
Two Good News are Best News!
Judging from my face in the below image, you can probably tell that I am very excited about the latest news that have been announced a couple of days ago. With all of your kind help and support, we have just won Denver’s 7 A-list contest!
We are thrilled to be named the #1 Best Photographer in the Denver area. From the bottom of our hearts, Nasim and I thank everyone who got involved in helping us achieve this goal. Thank you, thank you, thank you! We knew that your votes got us to #3 spot about two weeks ago, but we had no idea that we would be #1!
Best Nikon Lenses for Wedding Photography
What are the best Nikon lenses for wedding photography? This question comes up so often via comments and emails from our readers, that I was first going to include it in our Photography FAQ section, but then decided to write a separate article and elaborate on the subject a little more. Specifically, I want to not only write about what lenses I think are the best for weddings, but also why and in which cases we use a particular lens. Please keep in mind that the information I present below is a personal opinion based on my experience so far. If you have a favorite lens of yours for wedding photography that is not listed below, please feel free to add a comment on the bottom of the page with some information and pictures (if you have any that you would like to share).
1) Nikon 50mm f/1.4G AF-S
The first on the list is my (and Lola’s) most favorite lens for wedding photography – Nikon 50mm f/1.4G AF-S. We like it for four main reasons: it is sharp, colorful, lightweight and the bokeh it produces is outstanding.













