How to Convert Portraits to B&W with Lightroom 4

In this tutorial I will show you how to convert a portrait (shot in RAW format) to a black & white image using Lightroom 4. By the end of the tutorial, and with some practice, I hope to teach you how to have full control over the look of your B&W images. While I chose this particular look for this particular portrait, Lightroom offers many kinds of different ways to convert your images to black & white, and so it’s impossible to put all the looks into one tutorial. Certain conversions fit certain images better than others, and it also depends on taste and goal of the author. In the future, I hope to make more tutorials for both black & white and color photography with different conversion methods and looks.

B&W Result: HSL desaturation

Before we start, I would also like to note that, despite the fact that our final image will be in black and white, it is important to understand how everything works in color during the conversion process. While sometimes a simple contrast slider and curves tool can lead to a good-enough conversion, usually it is better to spend some more time tweaking different color ranges and working with white balance to affect color, and thus the tone of the image in order to achieve the best result.

With that in mind, here is the image I will be working on:

B&W Conversion Using Lightroom 4

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The Significance of Depth, Background and Color in Storytelling

We as photographers often make the final call on deciding the life span of an image according to our own perception, imagination and expertise. As much as we should be open to constructive criticism, I have always thought our own satisfaction from a photograph should come first. My own self-criticism is always the deciding factor on where I take my craft going forward. While those creative juices affect what I do behind the camera, knowing the technical aspect of photography to give life to any idea is very essential. It can take the story telling ability to a whole new level. Being able to analyze each shot before it is taken eventually will become a second nature as you photograph. I hope the below steps will help you get there a little faster.

Shallow depth of field

Depth

Mastering the depth of the story and being able to translate it into a visual prospect is very important, so it certainly helps to have a solid understanding of how depth of field can affect your images and the story you are working on. Whether it is a portrait or a landscape shot, the right amount of bokeh should be able to transport the viewer into your story. You can choose a longer lens with a large aperture (small depth of field) to pinpoint one element in an image that your viewers could concentrate on, or use a small aperture (large depth of field) to portray the melting pot of action, with many elements to the story.

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Tips on Photographing Wedding Formals and Group Portraits

Photographing formals during weddings can be very tiresome and stressful to all parties involved. It’s the part of the day both the guests and the photographer often want to get past as quickly as possible. Friends and family want to enjoy the cocktail with others. Bride and Groom are tired from standing far too long and a looking forward to get some rest before the reception. Could anyone blame them?

Family Portrait

On some occasions, I have been even asked to skip the formals in hopes of avoiding guests from stress and chaos, which sometimes can happen during the formal session. While not everyone might enjoy this experience, it is also understood that taking formal pictures is an essential part of wedding photography. This is how the memories are preserved. This is a precious way for a bride to remember her family for many, many years to come; in her happy state. So, the challenge remains for the photographer to make sure that the time allocated for the formal portraits is spent efficiently and as quickly as possible. In the eyes of the wedding guests, a photographer is a miracle worker, control freak and a very sweet person who can turn a very difficult session into something magical. So, my dear magician friends, let’s get on to it. You are the expert and what do you do next?

There are steps you can take to achieve your goal and have everyone happy on your watch. Your first step would be to make sure that the watch doesn’t go over 30 minutes for any formal session.

Bride with her mom

1. Talk to the bride and groom before the wedding. Do your research and get to know your subjects earlier. Let’s admit that there is no way for you to get to know so many people at once. So, start early and talk it up with the bride and groom during the consultation session. Find out what their expectations are towards the formal portraits and how many people might participate in those. Sometimes it is easier to get a list of the family members who ought to be photographed alongside the bride and the groom. Ask the bride to inform her relatives that there will be a point during the wedding (if the exact timing is known, that would be more helpful) when they will be asked to get photographed. Keeping everyone informed will help you gather people around efficiently. Always make sure to ask the couple if there is anything you need to know about their families and have a strategy worked out to take care of any potential problems.

Usually, close family make it obvious for you to notice them. Walk around them, be a regular guest and interact with them before the formals, so that you are “familiar” to them. Let the guests talk and meet and have fun while you steal a few of them to get photographed. This way, everyone can be engaged all the time by either you or by other guests. It will only help you get those sincere emotions naturally, with much ease.

Also, keep in mind that you do not have to fit every single guest into a formal session. Friends and distant family members can be photographed all along the wedding reception and cocktail hour.

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Suuthe and small creativity in short time

While Nasim is working on another big article about DSLR autofocus systems (shhh, I didn’t tell you that), I decided to write another quick post on a recent photo shoot. I had an opportunity to photograph this beautiful lady, Mari Carlin Dart and her skin care line, Suuthe recently. The session was supposed to last no more than 45 minutes and I only needed a couple of good images for an upcoming advertisement book called “CRAVE“.

First of all, let me introduce Suuthe. It is an all organic skin repair cream company which started with Mari searching for ideas to cure her son’s eczema problem. Without being able to find a solution from doctors for her son Peter’s aching problem, she decided to look further and work on something natural and effective. That’s how Suuthe came to live. As a mother of two children who suffered from eczema for a while, I wish I have met Mari earlier! If you know anyone like that, tell them to check out this wonderful product.

Here is how the photo session unfolded. All of the images were taken with the Nikon D700 body and a single Nikkor 50mm f/1.4G lens (my favorite as always).

Denver-Suuthe #1

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Flash Photography Example: Hello Gorgeous!

Alright, since this week is dedicated to Flash Photography, I decided to post a series of photo shoots I worked on recently. It is always good to be able to use natural/ambient light if it is available. In a very low-light situation, especially if you are photographing moving subjects, it is nearly impossible to properly expose the set without having your moving subjects blurry. This particular shoot was done for the CRAVE Book, to highlight female entrepreneurs. “Hello Gorgeous” is the name of the mobile manicure and pedicure company, run by two amazing individuals – Hani and Kent.

I used my trusty Nikon D700, Nikkor 24-70mm f/2.8 for wide-angle shots, Nikkor 50mm f/1.4G for detail shots, two SB-900 Speedlights, three Pocket Wizard transmitters/receivers and just one 30-inch umbrella. Everything was shot in Manual mode to give me consistency and control over flashes and the entire process.

It was an on-location photo shoot and I was informed beforehand that the apartment would have glass and concrete walls all around. The only light available was the 3 chandeliers that you see in the first left image. I also had very little ambient light coming from the far kitchen, to the right of the chairs.

Hello Gorgeous #1

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Children Portraits: Uma and Maz

Uma and Maz are cute as they come! My first child photography mini-clients are growing up and getting so adorable! Loved working with them and talking to their mother, my dear friend Laura. Please enjoy the images. Photos are all taken with the Nikon D700 and Nikkor 50mm f/1.4G, natural light. One of my favorite combinations!

Post-processing was very quick – I simply imported everything into Lightroom, then cropped and aligned images a little. For the black and white image below, I used Lightroom’s built in functionality for converting to B&W. Under the HSL/Color/B&W panel in Develop Module, I used the following values: Red: 0, Orange: +3, Yellow: 0, Green: -20, Aqua: -35, Blue: -30, Purple: +5, Magenta: +5. To give it a slightly “chocolaty” look, I used “Split Toning” with a slight coloring to Shadows and some tweaks to Hue and Saturation. Then, I used “Strong Contrast” under “Tone Curve” to make B+W look punchier, but it was not enough, so I increased the “Blacks” to 25 under “Basic” to bring up more blacks.

Uma and Maz #1

Uma

The day was sunny and nice, but the sun was still rather harsh, so I moved the kids under the porch to move away from direct sunlight. As usual, I shot in aperture priority mode and used an aperture of f/3.5, since I was standing rather close and I did not want to blur their faces. At the same time, f/3.5 was small enough to bring the bodies into focus and large enough to blur some of that background :)

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Sofia: Children Portraits

Sofia is the daughter of my dear friend Nilufer, who owns Splendor. She provides fabulous shawls and umbrellas for brides, who want to pamper their guests regardless of the time of year. Brides of Colorado, Nil is the woman to look for if you need some warmth and shade :D

Sofia #1

Sofia #2

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Chase: Senior Session

Chase is a young man with a lot of potential to become a very good model. Although that may not be what he wants to do with his life, all of us enjoyed working on his Senior Session pictures.

We used couple of flashes for some of the images. If anyone is interested in the techniques we used, please let us know, so that we can shed some light on the subject :)

Chase e-session #1

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Isadora: Portraits

Here are some of my favorite images from the last shoot with Isadora. The first image was taken in a shady area and I had to use off-camera flash (umbrella with a single strobe) as fill-flash to brighten up her face and get rid of raccoon eyes (shadows under eyes). The flash was positioned a little higher at approximately 30 degrees, to my left:

Isadora #1

This image was shot with natural light, early in the morning in the beginning of the session:

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Malika: Portraits

Malika is the daughter of our dear friends Becky and Andrew. I love their daughter very much! Since they decided to relocate somewhere special, they asked me if I could take pictures of Malika before they left. She is growing fast, alright! Last year at this very moment I was taking her picture, talking her into being a princess of a yellow castle. This year she outsmarted me almost in everything!

Malika #1

Malika, I will miss you dearly and I can’t wait to take your pictures when you come back to Colorado!

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