The Significance of Depth, Background and Color in Storytelling

We as photographers often make the final call on deciding the life span of an image according to our own perception, imagination and expertise. As much as we should be open to constructive criticism, I have always thought our own satisfaction from a photograph should come first. My own self-criticism is always the deciding factor on where I take my craft going forward. While those creative juices affect what I do behind the camera, knowing the technical aspect of photography to give life to any idea is very essential. It can take the story telling ability to a whole new level. Being able to analyze each shot before it is taken eventually will become a second nature as you photograph. I hope the below steps will help you get there a little faster.

Shallow depth of field

Depth

Mastering the depth of the story and being able to translate it into a visual prospect is very important, so it certainly helps to have a solid understanding of how depth of field can affect your images and the story you are working on. Whether it is a portrait or a landscape shot, the right amount of bokeh should be able to transport the viewer into your story. You can choose a longer lens with a large aperture (small depth of field) to pinpoint one element in an image that your viewers could concentrate on, or use a small aperture (large depth of field) to portray the melting pot of action, with many elements to the story.

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Shooting a wedding with an entry-level DSLR

I recently received an email from one of our readers about photographing weddings with an entry-level DSLR (Nikon D3000) and an 18-55mm f/3.5-5.6 kit lens. The request was to help out in understanding how to photograph weddings, figuring out the right camera settings and proper posing. Without much thinking, I responded to the query by saying that he/she should not photograph the wedding and perhaps leave the task to someone who knows what equipment to use and more importantly, how to use it. I never got a follow up email after that, but I have been thinking about the email ever since. I then remembered watching this video a while ago:

It is a funny video and even if it might be totally made up, it brings up a heated debate over the type of equipment wedding photographers should and should not use. I know that I am opening up a can of worms here, but here is my personal take on the subject – please let me know what you think.

Yes, most modern DSLR cameras are great and even the cheapest entry-level DSLRs today are equipped with a better image sensor than the most expensive cameras from a few years ago. As I have said it in some of my posts like Nikon vs Canon vs Sony, a camera is just a tool. However, there are certain factors that have a direct impact on images, such as lenses and the skill of the photographer. So, the camera is only a part of the equation here. Can cheap cameras create great photographs? Absolutely. Just like expensive cameras that can produce bad photographs.

So why did I tell the reader not to photograph the wedding with the D3000 and a kit lens? Because he/she had no idea how to use it.

When I get asked what to recommend for wedding photography, my response is always to get the best lenses first, and then worry about the camera. Lenses are far more important than cameras. A cheap zoom lens cannot do what a 50mm prime can. If you want to create beautiful images for your clients that you can showcase for your business, get the best glass you can afford. And as for the camera, if you can afford a full-frame camera, go for something like Nikon D700, Canon 5D Mark II or Sony A900. If budget is an issue, get a cropped-sensor camera like Nikon D7000. This is assuming that you already have a camera and know what you are doing. But don’t go out and shoot weddings with an entry-level DSLR if you are serious about your business. After-all, your gear is also the face of your company and business. Unless you are doing this for fun or just helping out a friend.

How Much is Too Much?

When it comes to our wedding business, Lola put me in charge of “QA” (Quality Assurance) before images are delivered to our clients. After she is done with all post-processing work, we sit down together and review all images. She is naturally good at working on images and her creative and artistic side really comes into play when she photographs and then edits images. I have a very different approach to photography and I often pay lots of attention to such things as image sharpness, detail, framing and angles. It is surprising to see how well our different perspectives merge into a productive environment – while we sometimes do disagree, we both understand that our ultimate goal is to provide the best results to our clients.

On average, Lola and I come back with approximately 1,000-1,500 images per wedding, all shot in 14-bit NEF (RAW) format. Once we sort everything out and pick our favorites, we leave approximately 500-600 images that will be delivered to our clients, with only about 1/10th that are retouched in Photoshop. I was once talking to a photographer based out of Florida, who told me that he only takes between 100-250 images per wedding. When I told him how many images Lola and I take, he laughed, arguing that most images are probably duplicates of each other and that we should learn how to take fewer, but higher quality images. Being in business for over 30 years as a successful full-time pro, he definitely knew what he was talking about. But I also realized that his habit of taking fewer pictures definitely has to do with film days, where more photos meant more photo lab work. With digital SLRs that have a shutter lifespan of at least 150 thousand clicks, we no longer need to worry about the cost or working with chemicals in a lab. So, what is better – take fewer, but higher quality images right on the set, or take as many pictures as possible at different angles, perspectives and settings? As far as I’m concerned, I am somewhere in between. I think that taking very few pictures is risky, as you might think you got everything right on camera, but you might have missed some details – eyes closed, focus not 100% accurate, etc. The last thing you want is a frustrated customer that asks for another picture you do not have. On the other hand, walking with a DSLR and shooting non-stop is also counter-productive, since then you have to deal with too many images and the process of choosing the best ones and working on them later might take hours of precious post-processing time. Wedding photography is a tough business to be in mainly because of a photographer’s time, especially if complex Photoshop retouching is involved. Details can take away too much time and the question that I have been asking myself lately is “how much is too much”, when we work on images.

Take a look at the below image, as it came out of the camera:

Shoes 1

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Suuthe and small creativity in short time

While Nasim is working on another big article about DSLR autofocus systems (shhh, I didn’t tell you that), I decided to write another quick post on a recent photo shoot. I had an opportunity to photograph this beautiful lady, Mari Carlin Dart and her skin care line, Suuthe recently. The session was supposed to last no more than 45 minutes and I only needed a couple of good images for an upcoming advertisement book called “CRAVE“.

First of all, let me introduce Suuthe. It is an all organic skin repair cream company which started with Mari searching for ideas to cure her son’s eczema problem. Without being able to find a solution from doctors for her son Peter’s aching problem, she decided to look further and work on something natural and effective. That’s how Suuthe came to live. As a mother of two children who suffered from eczema for a while, I wish I have met Mari earlier! If you know anyone like that, tell them to check out this wonderful product.

Here is how the photo session unfolded. All of the images were taken with the Nikon D700 body and a single Nikkor 50mm f/1.4G lens (my favorite as always).

Denver-Suuthe #1

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Flash Photography Example: Hello Gorgeous!

Alright, since this week is dedicated to Flash Photography, I decided to post a series of photo shoots I worked on recently. It is always good to be able to use natural/ambient light if it is available. In a very low-light situation, especially if you are photographing moving subjects, it is nearly impossible to properly expose the set without having your moving subjects blurry. This particular shoot was done for the CRAVE Book, to highlight female entrepreneurs. “Hello Gorgeous” is the name of the mobile manicure and pedicure company, run by two amazing individuals – Hani and Kent.

I used my trusty Nikon D700, Nikkor 24-70mm f/2.8 for wide-angle shots, Nikkor 50mm f/1.4G for detail shots, two SB-900 Speedlights, three Pocket Wizard transmitters/receivers and just one 30-inch umbrella. Everything was shot in Manual mode to give me consistency and control over flashes and the entire process.

It was an on-location photo shoot and I was informed beforehand that the apartment would have glass and concrete walls all around. The only light available was the 3 chandeliers that you see in the first left image. I also had very little ambient light coming from the far kitchen, to the right of the chairs.

Hello Gorgeous #1

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Madi and Tyler: Portraits

I know Madi from one of our weddings that we shot earlier this year. She was a perfect little flower girl and her mommy Erin was a perfect bridesmaid! I secretly wished that someday Erin would call me and let me photograph Madi. My love for little girls is not just a secret. But if you haven’t heard before I am telling you now: I kind of secretly wish to have a baby daughter some day! Our house is full of boys and at times it gets pretty lonely down here (I say to my husband)!

My wish did come true! You can cross the part about having a daughter though :) Erin contacted me asking to photograph her two beautiful children, Madison and Tyler. There goes the saying about wishing and them wishes coming true! Maybe one day I will have a baby girl after all… Until then, enjoy some of the images I took of Madi and handsome Tyler!

Madi and Tyler #1

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Two Good News are Best News!

win_large Judging from my face in the below image, you can probably tell that I am very excited about the latest news that have been announced a couple of days ago. With all of your kind help and support, we have just won Denver’s 7 A-list contest!

Lola and Ozzy

We are thrilled to be named the #1 Best Photographer in the Denver area. From the bottom of our hearts, Nasim and I thank everyone who got involved in helping us achieve this goal. Thank you, thank you, thank you! We knew that your votes got us to #3 spot about two weeks ago, but we had no idea that we would be #1!

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Photo Walk 2010 Images

Now that our main PC is back up and running with the full amount of memory (yes, it was RAM that was faulty), we are now back on track! While reviewing our 2010 Lightroom catalog today, I realized that I have not posted any images from the 2010 Worldwide Photo Walk, although I did make a promise to share some pictures. I did not encounter anything great or exciting this year, since I was busy enjoying the company of my friends and other Colorado photographers. The Denver group was super fun and everybody had a blast!

Here are some images that Lola and I took that day:

Photo Walk #1

Lola shot with the Nikon 50mm f/1.4G all day and I switched between Nikon 24mm f/1.4G and Nikon 70-200mm f/2.8G. The above image was taken with the 24mm f/1.4 – love that bokeh!

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Best Nikon Lenses for Wedding Photography

What are the best Nikon lenses for wedding photography? This question comes up so often via comments and emails from our readers, that I was first going to include it in our Photography FAQ section, but then decided to write a separate article and elaborate on the subject a little more. Specifically, I want to not only write about what lenses I think are the best for weddings, but also why and in which cases we use a particular lens. Please keep in mind that the information I present below is a personal opinion based on my experience so far. If you have a favorite lens of yours for wedding photography that is not listed below, please feel free to add a comment on the bottom of the page with some information and pictures (if you have any that you would like to share).

1) Nikon 50mm f/1.4G AF-S

The first on the list is my (and Lola’s) most favorite lens for wedding photography – Nikon 50mm f/1.4G AF-S. We like it for four main reasons: it is sharp, colorful, lightweight and the bokeh it produces is outstanding.

Nikon 50mm f/1.4G AF-S

Nikon 50mm f/1.4G AF-S

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Chase: Senior Session

Chase is a young man with a lot of potential to become a very good model. Although that may not be what he wants to do with his life, all of us enjoyed working on his Senior Session pictures.

We used couple of flashes for some of the images. If anyone is interested in the techniques we used, please let us know, so that we can shed some light on the subject :)

Chase e-session #1

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