Best Nikon Lenses for Wildlife Photography

What are the best Nikon lenses for wildlife photography? Our readers often ask us about lenses for nature photography and while I have already written about which Nikon lenses I consider to be the best for landscape photography, I have received numerous requests to write about lenses for wildlife photography as well. In this article, I will not only talk about which Nikon lenses I believe are the best for wildlife and nature photography, but also when I use a particular lens, along with plenty of image samples from each lens. Please keep in mind that the information I present below is a personal opinion based on my experience so far, which is subject to change. If you have a favorite lens of yours for wildlife photography that is not listed below, please feel free to add a comment on the bottom of the page with some information and links to pictures (if you have any that you would like to share).

When photographing wildlife, whether shooting bears in Alaska, or capturing birds in flight, one of the most important factors in choosing a lens is its focal length. Generally, the longer the lens (in focal length), the better. Unlike landscape and portrait photography, where you could get away with a cheap lens and still get great results, wildlife photography pretty much requires high-quality, fast-aperture telephoto optics. This obviously translates to a high price tag, with the lowest end of the spectrum averaging between $500 to $1,500, and the highest-quality / best reach lenses costing as much as $10,000+. Without a doubt, wildlife photography is a very expensive hobby to have (unless you are so good that you can sell your pictures and make good money), especially once you add up all the gear and travel costs.

1) Nikon 70-300mm f/4.5-5.6G VR

If you want to get into wildlife photography on a tight budget, the Nikon 70-300mm f/4.5-5.6G VR is the lens you want to get. It is a great buy that will get you to 300mm at under $600 USD. Its autofocus is pretty good in daylight and its versatile zoom range of 70-300mm is great for large animals and perched birds. The lens is light and compact, making it easy to carry it around when scouting for wildlife in parks and wildlife spots. It is capable of producing relatively good bokeh, especially on its longest end, although its sharpness performance also drops quite a bit at 300mm. Having VR is a definite plus when hand-holding the lens.

AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED

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Nikon 85mm f/1.8G is available for pre-order at B&H

I have also been notified that the brand new Nikon 85mm f/1.8G is also available for pre-orders at B&H, shipping around the same time as D4, which is mid-February. As always, I highly recommend B&H for their superb service and lowest prices.

Nikon 85mm f/1.8G Preorder at B&H

Nikon 1 30-110mm VR Review

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This is an in-depth review of the new Nikon 1 30-110mm f/3.8-5.6 VR lens, also known as “1 Nikkor VR 30-110mm f/3.8-5.6″ that was announced on September 21, 2011 specifically for the new Nikon 1 system, together with three other lenses and the new Nikon V1 and J1 cameras. The lens was kindly provided by B&H – the largest photo reseller in the world that I use more than any other to buy my photography gear.

1 Nikkor VR 30-110mm f/3.8-5.6

1 Nikkor VR 30-110mm f/3.8-5.6

The Nikon 1 30-110mm f/3.8-5.6 VR is a consumer-grade telephoto lens designed for the new Nikon 1 camera system to complement the Nikon 1 10-30mm f/3.5-5.6 VR kit lens. With its focal length of 30-110mm on the Nikon 1 CX sensor (2.7x crop factor), its coverage is equivalent to a 81-297mm lens in 35mm format. The variable aperture of f/3.8-5.6 means that its maximum (largest) aperture changes between f/3.8 to f/5.6, depending on the focal length. It is a very lightweight lens, and similar to interchangeable lenses from other compact mirrorless camera manufacturers, the lens is collapsible, which also makes it quite compact for travel and transportation.

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Nikon 1 10-100mm VR Review

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This is an in-depth review of the new Nikon 1 10-100mm f/4.5-5.6 VR lens, also known as “1 Nikkor VR 10-100mm f/4.5-5.6 PD-ZOOM” that was announced on September 21, 2011 specifically for the new Nikon 1 system, together with three other lenses and the new Nikon V1 and J1 cameras. The lens was kindly provided by B&H – the largest photo reseller in the world that I use more than any other to buy my photography gear.

1 Nikkor VR 10-100mm f/4.5-5.6 PD-ZOOM

1 Nikkor VR 10-100mm f/4.5-5.6 PD-ZOOM

The Nikon 1 10-100mm f/4.5-5.6 VR is versatile 10x superzoom lens specifically designed for shooting movies on the new Nikon 1 camera system. It is the first Nikkor powered zoom lens with a voice coil AF motor that makes no audible noise when zooming in and out while recording videos. Unlike other Nikon 1 system zoom lenses, the Nikon 1 10-100mm VR lens has no zoom ring; zoom action is controlled by a switch on the side of the lens with three adjustable zoom speeds. This is done to prevent any additional lens shake that is caused by rotating a zoom ring on regular lenses. With the Nikon 1 10-100mm VR lens, you can get closer or further away from your subject very smoothly and naturally – the new AF motor is designed in such a way, that it prevents abrupt stops. Plus, the latest generation of Vibration Reduction technology further helps to keep the camera and lens steady, preventing jittery movements and reducing blurry images. With its focal length of 10-100mm on the Nikon 1 CX sensor (2.7x crop factor), its coverage is equivalent to a 27-270mm lens. The variable aperture of f/4.5-5.6 means that its maximum (largest) aperture changes between f/4.5 to f/5.6, depending on the focal length.

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Best Nikon Lenses for Landscape Photography

What are the best Nikon lenses for landscape photography? After I posted my last article on “Best Nikon Lenses for Wedding Photography“, I have been getting many requests from our readers to also talk about lenses for photographing landscapes, nature and wildlife (another post on best Nikon wildlife lenses will be published soon). In this post I will not only talk about which Nikon lenses I believe are the best for photographing landscapes, but also when I use a particular lens, along with plenty of image samples from each lens. Please keep in mind that the information I present below is a personal opinion based on my experience so far, which is subject to change. No third party lenses are presented either, although some Zeiss, Sigma, Tamron and Samyang lenses are phenomenal for landscapes. If you have a favorite lens of yours for landscape photography that is not listed below, please feel free to add a comment on the bottom of the page with some information and links to pictures (if you have any that you would like to share).

1) Nikon 14-24mm f/2.8G

I want to start out with a lens that I have a love and hate relationship with. On one side, the Nikon 14-24mm f/2.8G is one of the sharpest lenses ever produced by Nikon. It has phenomenal optics (center to corner, throughout the frame and aperture range), beautiful colors, super fast autofocus and an extremely useful focal range for wide-angle photography. On the other hand, it is a heavy, bulky and expensive lens that cannot accommodate filters. Sadly, not just circular filters and filter holders but pretty much any kind of hand-holdable filter. Its round front element shape and the built-in lens hood just make it impossible to use filters. Sure, you can buy a filter holder system from Lee and other manufacturers for this lens to accommodate filters, but it is not cheap and you would have to purchase a set of large 150mm filters, so forget about using your existing filters. I really wish Nikon allowed us to use small replaceable filters close to the lens mount, just like on telephoto lenses and this lens would have been irreplaceable.

Nikon 14-24mm f/2.8G ED

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Nikon 1 10mm f/2.8 Review

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This is an in-depth review of the new Nikon 1 10mm f/2.8 CX pancake lens, also known as “1 Nikkor 10mm f/2.8″ that was announced on September 21, 2011 specifically for the new Nikon 1 system, together with three other lenses and the new Nikon V1 and J1 cameras. The lens was kindly provided by B&H – the largest photo reseller in the world that I use more than any other to buy my photography gear.

1 Nikkor 10mm f/2.8

1 Nikkor 10mm f/2.8

The Nikon 1 10mm f/2.8 is a consumer-grade pancake lens designed for the new Nikon 1 camera system. Designed to be an ideal companion for the compact Nikon J1 and V1 camera bodies, it is currently the smallest and the lightest lens from Nikon. With a fixed focal length of 10mm on the Nikon 1 CX sensor (2.7x crop factor), its coverage is equivalent to a 27mm lens in full-frame format.

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Nikon 1 10-30mm VR Review

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This is an in-depth review of the new Nikon 1 10-30mm f/3.5-5.6 VR lens, also known as “1 Nikkor VR 10-30mm f/3.5-5.6″ that was announced on September 21, 2011 specifically for the new Nikon 1 system, together with three other lenses and the new Nikon V1 and J1 cameras. The lens was kindly provided by B&H – the largest photo reseller in the world that I use more than any other to buy my photography gear.

1 Nikkor VR 10-30mm f/3.5-5.6

1 Nikkor VR 10-30mm f/3.5-5.6

The Nikon 1 10-30mm f/3.5-5.6 VR is a general-purpose consumer-grade lens designed for the new Nikon 1 camera system. It is bundled with the Nikon 1 V1 and Nikon 1 J1 cameras as a standard kit lens and cannot be purchased separately. With its focal length of 10-30mm on the Nikon 1 CX sensor (2.7x crop factor), its coverage is equivalent to a 27-81mm lens. The variable aperture of f/3.5-5.6 means that its maximum (largest) aperture changes between f/3.5 to f/5.6, depending on the focal length. It is a very lightweight lens, and similar to interchangeable lenses from other compact mirrorless camera manufacturers such as Olympus, the lens is collapsible, which also makes it quite compact for travel and transportation.

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Nikon 50mm f/1.4G Review

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This is an in-depth review of one of my favorite prime lenses – the Nikon 50mm f/1.4G, which was announced in September of 2008. For many years the focal length of 50mm lenses was considered a “standard” or “normal” focal length, because it closely resembles the perspective of the human eye. These lenses were widely popular on film cameras and the focal length was ideal for portraiture and everyday photography. As digital SLRs and zoom lenses started taking over the market, popularity of 50mm primes also decreased. The smaller size of APS-C sensors made the field of view of 50mm lenses narrower, while the flexibility of zoom lenses and their low price drove the demand towards convenience. Now that full frame digital cameras are getting more and more affordable, the once forgotten 50mm lenses are regaining their popularity among many photographers. In this review, I will provide a thorough analysis of the Nikon 50mm f/1.4G lens, along with image samples and comparisons against other 50mm lenses from Nikon and Sigma. The lens was kindly provided by B&H – the largest photo reseller in the world that I use more than any other to buy my photography gear.

Nikon 50mm f/1.4G AF-S

Nikon 50mm f/1.4G AF-S

The Nikon 50mm f/1.4G is a professional-grade lens for enthusiasts and pros that need a high quality lens for portraiture, food and everyday photography. Its large aperture of f/1.4 is great for low-light photography and the shallow depth of field helps isolate subjects from the background, beautifully rendering background highlights, also known as bokeh.

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What is Chromatic Aberration?

Chromatic Aberration, also known as “color fringing” or “purple fringing”, is a common optical problem that occurs when a lens is either unable to bring all wavelengths of color to the same focal plane, and/or when wavelengths of color are focused at different positions in the focal plane. Chromatic aberration is caused by lens dispersion, with different colors of light travelling at different speeds while passing through a lens. As a result, the image can look blurred or noticeable colored edges (red, green, blue, yellow, purple, magenta) can appear around objects, especially in high-contrast situations.

A perfect lens would focus all wavelengths into a single focal point, where the best focus with the “circle of least confusion” is located, as shown below:

Corrected Chromatic Aberration

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What is Focus Shift?

Focus Shift is an optical problem that occurs due to Spherical Aberration, when an object is brought into focus at maximum aperture and captured with the lens stopped down. Focus shift can lead to blurry images and focus errors, when working with subjects at close distances and using fast aperture lenses. With the lens aperture fully open or “wide open”, incoming rays of light converge at different focal points due to spherical aberration along the optical axis, as shown in the top illustration below:

Focus Shift

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