Photo Walk 2010 Images

Now that our main PC is back up and running with the full amount of memory (yes, it was RAM that was faulty), we are now back on track! While reviewing our 2010 Lightroom catalog today, I realized that I have not posted any images from the 2010 Worldwide Photo Walk, although I did make a promise to share some pictures. I did not encounter anything great or exciting this year, since I was busy enjoying the company of my friends and other Colorado photographers. The Denver group was super fun and everybody had a blast!

Here are some images that Lola and I took that day:

Photo Walk #1

Lola shot with the Nikon 50mm f/1.4G all day and I switched between Nikon 24mm f/1.4G and Nikon 70-200mm f/2.8G. The above image was taken with the 24mm f/1.4 – love that bokeh!

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Telephoto Lens Focal Length Comparison

Although I have already done a focal length comparison from 12mm to 500mm focal length before, I decided to do it once again for telephoto lenses. I receive quite a few emails from our readers, asking about telephoto lenses and focal lengths, specifically whether a focal length of a lens is going to be sufficient for bird and wildlife photography. The below images should give you a pretty good idea about field of view when using particular focal lengths, from 70mm all the way to 1200mm:

70mm-400mm FoV

600mm-1200mm FoV

The above images are not cropped in post-production and represent equivalent focal lengths relative to 35mm. The longest field of view of the 1200mm shot was captured with the Nikon 200-400mm f/4.0 + TC-20E III TC @ 400mm (800mm effective) on a DX body, which is equivalent to 1200mm. The shortest focal length was captured with the Nikon 70-200mm f/2.8G VR II at 70mm.

Best Nikon Lenses for Wedding Photography

What are the best Nikon lenses for wedding photography? This question comes up so often via comments and emails from our readers, that I was first going to include it in our Photography FAQ section, but then decided to write a separate article and elaborate on the subject a little more. Specifically, I want to not only write about what lenses I think are the best for weddings, but also why and in which cases we use a particular lens. Please keep in mind that the information I present below is a personal opinion based on my experience so far. If you have a favorite lens of yours for wedding photography that is not listed below, please feel free to add a comment on the bottom of the page with some information and pictures (if you have any that you would like to share).

1) Nikon 50mm f/1.4G AF-S

The first on the list is my (and Lola’s) most favorite lens for wedding photography – Nikon 50mm f/1.4G AF-S. We like it for four main reasons: it is sharp, colorful, lightweight and the bokeh it produces is outstanding.

Nikon 50mm f/1.4G AF-S

Nikon 50mm f/1.4G AF-S

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How to Spot Dust on Your DSLR Sensor

Are you getting frustrated with seeing small dark spots in your images that seem to show up in every image? If you see them consistently in the same location (the size and darkness of the spots can vary depending on aperture), you are most likely dealing with dust particles on your camera’s sensor. In this short article, I will show you a quick and easy way to identify sensor dust when shooting outdoors.

What is sensor dust?

If you own a DSLR, you will at some point have to deal with sensor dust, whether you like it or not. Dust is a normal fact of life and it is all around us, even at our homes that we try to keep clean at all times. The dust lands on both the lens and the camera body and due to the “breathing” mechanism of the lens while zooming in/out and focusing, the small dust particles end up getting sucked into the camera body. All lenses breathe one way or another or else the internal elements would not be able to move for autofocus and zoom functions. If you use more than one lens, the dust might be able to get into the camera body during the process of changing lenses.

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How to Recover Deleted Photos from Memory Cards

Have you ever accidentally formatted your memory card with important images in it? Or perhaps your hard drive crashed, you had no backups and you already deleted images from your memory cards? You never think about it until it happens and when it does happen, it hits you hard. I once lost all images of Red Fox kits that were very dear to me and I even managed to format and overwrite images from a trip to Utah this year. Unfortunately, disasters happen to everyone and if you happen to be in a similar situation, it is better to be prepared and know what to do. In this quick article, I will show you how you can recover and retrieve lost images from memory cards and will give you some information on what can be recovered and under what circumstances.

1) Data disaster types

Whether you are using a Compact Flash or SD/SDHC card, there are several types of disasters that can happen with it:

  1. Formatted card (Chance of Recovery: High) – if you happened to format the memory card for whatever reason, either in-camera or on your PC. Chances of recovering all data are very high, as long as the card was not touched after the last format. This is due to the fact that the formatting process never actually deletes the images from the memory card – it simply labels the card as “free” and prepares it for writing.
  2. Deleted images (Chance of Recovery: High) – if you manually deleted images from the card either on the camera or on your PC/Mac, the chances of recovering all data are very high, as long as more images or data were not written on the disk. Just like in formatting, deleting files simply marks certain area of the disk as free for writing. The actual files are never erased from the disk.
  3. Non-physical damage/data failure (Chance of Recovery: Moderate to Low, depends on type of failure) – there could be different scenarios, but one of the more common ones is when a memory card fails during the process of writing images to the card (corrupted data). This is where your camera would give an error, indicating that the data could not be written to the card. The chances of data recovery are moderate to low, depending on how serious the damage is due to bad sectors, etc. Some unreadable cards can be recovered, again, depending on the damage.
  4. Physical damage (Chance of Recovery: Low to None) – if your memory card has suffered from physical damage and is unreadable, the chances of recovery are very low. You could try one of the data recovery tools shown below to see if it can recover anything. If all programs fail and the drive cannot be recognized, it might be better to take it to data recovery experts, who can try to retrieve the data in a lab environment.

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iPhone Sunset

Decided to post these while on the subject of iPhone’s camera capabilities and while writing a new article on photo noise reduction. This first image is slightly modified in Lightroom 3 (+20 Fill Light and +10 Saturation, Noise Reduction: +50 Luminance, +80 Detail):

iPhone Sunset

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Giveaway answer and the winner

First of all, big thanks to everyone who participated in our first giveaway – we have gotten over 60 comments from our readers and over 120 people voted in our poll. Before I announce the winner of the giveaway, I would like to first provide the answer to the question “what camera the image was shot with” of the Maroon Bells. The majority of the readers guessed it right – I did shoot the image with the iPhone (specifically iPhone 4). The original image did not look very good and had a couple of problems, specifically:

  1. The image was not very straight due to poor framing
  2. There was too much noise in the image (although shot at ISO 80)
  3. The colors were way off and there was too much magenta in the image
  4. The corners were very soft

Here is the original image:

Maroon Bells iPhone Original

Maroon Bells iPhone Original

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Concert photography and videography with Nikon D3s

During my last trip to Florida, I was fortunate to attend Carlos Santana‘s concert, during which I had a good opportunity to take pictures and video with Nikon D3s DSLR and Nikon 300mm f/4.0 AF-S lens. As I have pointed out in my previous D3s articles, the performance of Nikon D3s in low light environments is incredible.

Take a look at the following shot of Santana:

Santana - Full Size

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July 4th Fireworks

I was not really planning on photographing the fireworks on July 4th, because I was enjoying a short vacation with my family at Glenwood Springs. When I was told that the fireworks would be fired from an open area behind the hotel where we were staying (less than several hundred feet away), I decided to take the challenge and see if I could capture anything interesting from that close of a distance. As I pointed out in my how to photograph fireworks article, it is generally not a good idea to stand too close to fireworks. I wanted to see what other challenges I would face, considering that I only had two lenses with me – Nikon 70-200mm f/2.8G VR II and Nikon 24-70mm f/2.8G, shooting on an FX body.

Captured with Nikon 24-70mm lens (square crop)

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How to Photograph Fireworks

Wondering about how to photograph fireworks at the 4th of July fireworks show? With only a few days left before the US Independence Day, many of us photographers will soon be preparing to take pictures of beautiful fireworks. In this quick article, I will provide some tips on how to best capture fireworks, what type of equipment to use and what camera settings to use during the process. Although the process of shooting fireworks is relatively simple, there are some things that might be worth trying, as outlined below.

Fireworks #1

Fireworks, 3 second exposure

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