Fuji X-Pro1 Review
Selective Color Correction in Lightroom and Photoshop
In my previous Lightroom Dodging and Burning Tutorial I chose a photograph that had multiple issues. I addressed most of them in that tutorial but specifically left out one major issue (which was quickly discovered by one of our readers) to be a subject for fixing selective color in Lightroom and Photoshop. If you take another close look at the photograph I chose in that tutorial, the face of the model is visibly brighter than the color of the rest of her body. While in many cases our facial color tends to differ from the rest of our body, it can look rather awkward in photographs. Especially in this particular photograph, it is obvious that the foundation on model’s face did not match to rest of her skin color.
If you have photographs like these, there are multiple ways of fixing them and these two methods could be used for a variety of other things. So, follow along to find out how I deal with such issues. First, I will show you how to do it in Lightroom, then I will also do the same in Photoshop.
1) Selective Color Correction in Lightroom
Thanks to Lightroom 4′s selective white balance correction, fixing colors in a certain area is a very easy and straightforward process. Start out by using the Adjustment Brush and painting the affected area. In this case, I carefully brushed the model’s face without touching her eyes and mouth. A quick tip: if you accidentally over-brush, do not forget that you can simply press and hold the “Alt” key, and the “+” sign in the adjustment brush will turn to a “-” sign, which indicates that you can erase the over-brushed area. Keep holding the “Alt” key and carefully un-brush the area that you do not want to touch. Here is my selection:
Lightroom Dodging and Burning Tutorial
This is a simple tutorial on how you can utilize Lightroom tools to Dodge and Burn selective areas of a photograph to your liking without using Photoshop. During the process I will also go through some simple steps to show how you can enhance an image directly in Lightroom. I chose a sample portrait to show the process, because I often rely on Lightroom to do most of my post-processing work.
So, what is dodge and burn and where did these terms come from? Here is what Wikipedia says about it:
Dodging and burning are terms used in photography for a technique used during the printing process to manipulate the exposure of a selected area(s) on a photographic print, deviating from the rest of the image’s exposure. In a darkroom print from a film negative, dodging decreases the exposure for areas of the print that the photographer wishes to be lighter, while burning increases the exposure to areas of the print that should be darker.
The same technique can be used in digital photography to achieve similar results, although in Lightroom you can take the process even further by opening up shadows delicately and manipulating the exposure of certain parts of a photograph without ruining any details or colors. It goes without saying that working with RAW images gives a lot more opportunities to recover lots of details, as explained by Nasim in his RAW vs JPEG article.
Here is the before and after comparison of what I have done to demonstrate the Dodge and Burn capability of Lightroom:
Fuji X-Pro1 Image Samples
I am currently working on the Fuji X-Pro1 review, although I will be honest that I have been delaying the review for quite a while now, since I am still waiting for Adobe to release a version of Camera RAW / Lightroom 4 that will support X-Pro1 RAW files. While the JPEG images produced by the X-Pro1 are superb, I know that I can get much more from each image if I use a good RAW image processor. The RAW converter that Fuji has for the X-Pro1 is definitely not my thing…
Here are some sample images from the camera that I will be using in my upcoming review, all taken in England. As always, EXIF data is embedded to each image with exposure, lens and other information.
AEO Photo Lightning Strike Pro Review
With spring here and thunderstorms in the forecast, I thought I would review the Lightning Strike Pro, a lightning shutter trigger from AEO Photo which has been kindly provided by B&H – the largest photo reseller in the world that we use more than any other to buy our photography gear.
The AEO Photo Lightning Strike Pro makes capturing a photo with lightning easy – and potentially safer. Without a lightning strike trigger, one would either utilize a long exposure and hope that you capture the moment or you would have to hope your shutter finger is fast enough to react to the first millisecond of flash. Now, there is an easier and better way to capture lightning strikes with your camera. It is so easy in fact, that the first time I tried to use it, I set it up on my backyard deck, and since the sporadic lightning occurring was more of a flash in the clouds as opposed to a bolt, I left the set-up on the tripod and did a few minor chores around the house. After about 10 or 15 minutes, I came back to check the pictures. What I found was that amongst a number of shots of a cloudy but lit up sky, was one shot that included a lightning bolt. Kind of like those commercials on television, you can set it and forget it, it is that easy. Not only easy, but it is also safer than standing outside exposed to the elements while trying to grab a photo.
Canon 5D Mark III Light Leak Issue Fix
As you may already know, the very first batches of the Canon 5D Mark III had a manufacturing defect, where light would leak through the top LCD panel as shown in this and this videos. After a thorough investigation, Canon confirmed that the camera indeed had a problem, so it issued an official statement that it would fix the issue if you send the camera to Canon (free of charge).
Folks at LensRentals.com had a chance to disassemble both an original and a “fixed” Canon 5D Mark III and they discovered that Canon used a black tape over the camera components, which essentially takes care of the problem completely. Here is a picture of the black tape covering the components:
Lightroom 4.1 RC2 and Camera RAW 6.7
Adobe has released an update to Lightroom 4 and Camera RAW that fixes some bugs and adds support for some new cameras and lenses. Lightroom has been updated to 4.1 Release Candidate 2, while Camera RAW 6.7 is now final and stable.
It is always a good idea to update to the latest versions of both Lightroom and Camera RAW, so that you work with the latest and greatest software with the fewer bugs, RAW support for more cameras and more lens profiles so that you could fix optical issues such as distortion and chromatic aberration with a single click using the Lightroom “Lens Corrections” module. Every once in a while a beta release might contain bugs, but if it is anything serious, Adobe will typically pull it out quickly and replace it with a better version.
Here is the list of cameras and lenses that are added with the Lightroom 4.1 RC2 release:
- Canon EOS 5D Mark III
- Canon EOS 60Da
- Fuji FinePix F770EXR
- Fuji FinePix F775EXR
- Nikon D3200
- Olympus OM-D EM-5
- Panasonic Lumix DMC-GF5
- Pentax K-01
- RICOH LENS A16 24-85mm F3.5-5.5
- Samsung NX20
- Samsung NX210
- Samsung NX1000
- Sony Alpha NEX-VG20
- Sony SLT-A57
Note that the Nikon D3200 is now officially supported.
See this page for a full list of bug fixes.
Nikon Wireless Close-up Speedlight Commander Kit R1C1 Review
This is a quick review of the Nikon Wireless Close-up Speedlight Commander Kit R1C1, which has been kindly provided by B&H – the largest photo reseller in the world that we use more than any other to buy our photography gear.
If close-up or macro photography is your passion then this lighting system is an accessory you may wish to consider. The set-up (camera body and lens not included) offers flexibility to explore and maximize your creative talents so let’s take a closer look at the Nikon Close-up Speedlight Commander Kit R1C1.
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A Little Comfort as You Anxiously Await Your D800 or D4 or 5D mk III arrival
As I, like many of you, have been waiting for a new Nikon camera body to arrive, a recurring thought has come to my mind. It comes from the words of my father and it might hold a cure for what ails you if you, like me, suffer from common Diseases that Plague Photographers. Whenever I wanted something badly, but couldn’t seem to get it fast enough, he would say, “Anticipation is greater than realization”. To a young, impatient boy then and to an older, impatient man now, those words never seemed to comfort me as my father might have liked. Although never very comforting, they were very true.
We have all been there. Maybe it was that new bike that seemed to take forever to save for. Perhaps it was your dream car that required you spend all of your free time working that extra job. Whatever you were hoping for, the anticipation and build up prior to acquiring it was likely much more exciting than actually getting the item. Who can’t identify with the new car owner that seems less excited about his/her new car after the first car payment comes due? And golfers are notorious for claiming to experience longer drives, straighter iron shots, and more holed putts after changing clubs. Interestingly, their new clubs lose their “magic” after a month and start behaving very similar to their old clubs.
I am sure my father was trying to get me to enjoy the wait and learn a bit of patience. Perhaps he was always hoping that if enough time would pass, my insatiable need to spend my money on some new flashy item would dissipate. Although very wise, dad’s tactics in this area often had less than the desired effects on his not so bright son. You may experience better luck with your kids or yourself. So I pass the lesson on to you. As for me [doorbell chime], I gotta go see what is in the B&H box that just arrived. Maybe if I am lucky, it was me that got Bob’s D800 this time. Enjoy the anticipation as you wait!
50% Off Adobe Photoshop Elements 10 at B&H!
If you were planning to purchase Adobe Photoshop Elements – a lighter, less feature-packed version of Photoshop, very well suited for photographers not needing advanced image editing and drawing capabilities of its bigger brother – B&H has a special deal for you: for the next 22 hours or so you can get 50% off this great piece of software and purchase it for just $49.95. The price will go back to $94.95 tomorrow, May 24th.
You can order it at B&H for both Windows and Mac for $49.95.
If you’re into both photography and videography, and need a feature-light, yet powerful piece of software for your video and photography work, get the Adobe Photoshop Elements + Adobe Premiere Elements package at B&H for just $69.95. The offer, too, ends tomorrow, don’t miss it!













